Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Agnolo Bronzino
An Allegory with Venus and Cupid
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ID: 40365

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Agnolo Bronzino An Allegory with Venus and Cupid


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Agnolo Bronzino

Italian Mannerist Painter, 1503-1572 Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.  Related Paintings of Agnolo Bronzino :. | Portrait of Eleonora da Toledo with her Son Giovanni de-Medici | Noli Me Tangere (mk05) | Portrat des Ugolino Martelli | Holy Family with St Anne and the infant | Portrait of Guidubaldo della Rovere |
Related Artists:
Richard Coubould
painted Info from source in author died 1831
Joseph Farquharson
Joseph Farquharson DL (4 May 1846 - 15 April 1935) was a Scottish painter, chiefly of landscapes. He is most famous for his snowy winter landscapes, often featuring sheep and often depicting dawn or dusk. He was born in Edinburgh, Scotland and died at Finzean, Aberdeenshire, Scotland. Joseph Farquharson combined a long and prolific career as a painter with his inherited role as a Scottish laird. He painted in both oils and water colours. His mother, a celebrated beauty, was an Ainslie. His early days were spent in his father's house in Northumberland Street below Queen Street Gardens and later at Eaton Terrace beyond the Dean Bridge, Edinburgh and at Finzean, the family estate in the highlands.[1] His father Francis was a doctor and laird of Finzean. Joseph was educated in Edinburgh and permitted by his father to paint only on Saturdays using his father's paint box. When Joseph reached the age of 12, Francis Farquharson bought his son his first paints and only a year later he exhibited his first painting at the Royal Scottish Academy.
Thomas Seddon
1821-1856






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